"月黑抢人夜": 歌舞剧“Phantom of opera”另一种解释
战争有进步 , still 杀, but much less, more of 抢 now.
多没赶上, 就空; 小姑娘变徐娘 , 价不一样了. 资本时代, 爱情也有价.
………
“Phantom”白天不行, 于是乎夜战, 抢Christine, 是没有办法的办法.
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The director of this movie, Schumacher said:
"Reasons this tragic love story has been part of our culture since Gaston Leroux wrote his novel is because we identify with the Phantom." Actually, what we identified, are the feeling of regret, loneliness and loss deeply inside our minds. When you cannot get away from it, at least you can feel free to be lead, swept, and engulfed until the tears shed on your face turn to be cold, just as Christine did. Just as Aristotle said: once the pain was awarded and represented, there will be a delight coming from mitigation.
There is an old Chinese aphorism says, " all the apparition come from your own soul", which exactly matches to the lyric: "The phantom of opera is there, inside my (your) mind". What makes Christine identify, understand and connect with the Phantom is their similarity in the soul, the discomposure, feeling of loss, the loneliness and the inspiration of music. This kind of loneliness is ultimate, absolute and philosophical. Music cannot cure the pain, but "purify" it. So to some extent, what pulls Christine to the phantom is same as what pulls us to him. Like the impression of the poster, it is, black, gloom and dolorous.
As the time passing by, everything faded except the rose. Every person, the phantom, Christine, even Raoul (who was called as innocent fool by the phantom because he was too rational and realistic figure and was always out of the fantastic world), can finally feel the doomed grief, when Christine recall the story of faraway, when Raoul put the music box in the grave of his wife, when the phantom's leave his laced rose there.
So, ultimately, it is ideal to use "learn to be lonely" to highlight the subject, because it is the "phantom" lies deeply inside our minds, call the name of us, sing the duet and lead us to the peaceful garden.