法国薰衣草2010-03-28 00:03:37

File:Gavin Hamilton - Coriolanus Act V, Scene III edit2.jpg



Beethoven "Coriolan" Overture Op.62,
Carlos Kleiber: Conductor Bayerische Staatsorchester

贝多芬:科里奥兰序曲

  BEETHOVEN: Coriolanus Overture

科里奥兰是传说中的罗马英雄,莎士比亚以他的故事写成一部悲剧。传说491年罗马发生饥馑,科里奥兰提出,接受救济的民众必须同意废除保民官制度,否则不发给赈灾粮。为此他受流放的惩罚,后投奔沃尔西国王,带领沃尔西人打回罗马,在其母与其妻的恳求下,才从罗马撤兵。莎士比亚悲剧由维也纳剧作家科林改编为歌剧,贝多芬于1807年为它创作了这首序曲。这首序曲表现的是英雄科里奥兰为了比他本人更崇高的东西而放弃了复仇,同时也放弃了自己的生命。在莎士比亚的悲剧中,科里奥兰由于放弃了指挥权而被沃尔西人谋害;而在科林的剧本中,他则是自杀。

瓦格纳对这个人物的评介是他野性难驯,不虚伪,也不谦让。这首序曲OP.63C大调,奏鸣曲式,以科里奥兰本人庄严的姿态开头,紧接着是他的愤怒不安,他愤怒的对抗被一个柔美的主题打断,形成传统奏鸣曲快板曲式中的对比。这个主题可理解为科里奥兰亲人们的乞求。在发展部,表现了英雄内心的犹疑不决,内心的矛盾,荣誉的崩溃,以及不以苦乐为意的自我毁灭而获得的胜利。结尾,乐队渐渐沉浮在一片寂静之中。


The Coriolan Overture (German: Ouvertüre Coriolan, op. 62) is a composition written by Ludwig van Beethoven in 1807 to Heinrich Joseph von Collin's 1804 tragedy.[1] The structure and themes of the overture follow the play very generally. The main C minor theme represents Coriolan's resolve and war-like tendencies (he is about to invade Rome), and the tender E-flat major theme represents the pleadings of his mother to desist. Coriolan eventually gives in to tenderness, but since he cannot turn back having led an army of his former enemies to Rome's gates, he kills himself. It was premiered in March of 1807 at a private concert of the home of Prince Franz Joseph von Lobkowitz. The fourth symphony and the fourth piano concerto were premiered in that same concert.

Two of the most highly regarded recordings are of Wilhelm Furtwängler conducting the Berliner Philharmoniker (1943) and Fritz Reiner conducting the Chicago Symphony Orchestra in 1959. Sir Roger Norrington has created a notable period performance version with his recording of the overture with the London Classical Players.

Other notable recordings include those by Herbert von Karajan with the Berlin Philharmonic, Karl Böhm with the Vienna Philharmonic, Carlos Kleiber conducting Bavaria State Orchestra and Bruno Walter conducting the Columbia Symphony. The work was a staple of Arturo Toscanini's repertoire, and six recordings under Toscanini's baton are extant as well as one recording of rehearsal excerpts.

 (百度 wiki)

 

 



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  • 红珊瑚2010-03-28 02:08:55
    很喜欢贝多芬塑造的英雄人物,谢香草妹妹分享!
    Xiaokanshijie2010-03-28 02:09:49
    英雄的故事往往有悲剧色彩,贝多芬则对悲剧英雄有很多神来之曲,草班好介绍。
    Passerby2010-03-28 03:23:26
    Thx for posting. Also, please listen to this one:
    加国音乐2010-03-28 03:24:04
    "自我毁灭而获得胜利"也是贝多芬人生的悲剧色彩,谢谢草草
    法国薰衣草2010-03-28 14:49:40
    再谢红珊瑚介绍贝多芬的浪漫之最, 贝多芬的音乐给人很多人生启迪和鼓舞, 谢谢。
    法国薰衣草2010-03-28 14:52:34
    英雄多少都会有些悲剧色彩,喜欢读你们的个人注解, 笑看周日好!
    法国薰衣草2010-03-28 14:57:17
    Hi Passerby! Furtwangler CORIOLAN版本更猛,好听!谢谢
    法国薰衣草2010-03-28 15:03:22
    "自我毁灭而获得胜利",《毁灭》得很辉煌, 这就是英雄和常人的区别, 谢谢加加!
    Passerby2010-03-28 22:42:34
    不怕牺牲 排除万难 保证完成班长布置的光荣又坚巨的任务!!
    法国薰衣草2010-03-29 00:30:26
    海海,这又不是去炸碉堡,表紧张啊呀